• About Me
  • My Blog
  • On-Going Annotated Bibliography
  • Theatre of the Tarot
  • Welcome To The Labyrinth!

the Phan Mage

~ Phantom of the Opera for the world we need!

the Phan Mage

Tag Archives: Phanship

A Protection Ritual For Phantom!

26 Thursday Jan 2023

Posted by Sarah Erik in Phantom, spirituality

≈ 4 Comments

Tags

"Phantom of the Opera", ALW, “Brilliant Original”, “Liberation Gothic Love Magic”, ChristoPagan, Pagan, Phanship, Phantom, PhantomMagic, spirituality

So in light of the awful announcement last fall that the Broadway flagship production of Phantom will be closing, I designed this spell to ask for protection for the show. I’ll be doing it tonight on the anniversary of the opening of the Broadway production. But I wanted to share it as well for other magically inclined Phans to make use of as well! And don’t worry if you don’t see this till after the anniversary. My thinking was that the occasion might give the spell an extra power boost. But it’s certainly not tailored to the date, and there will surely be plenty more opportunities to work it between now and the slated closing date in April!


Protection Ritual For The Broadway Production and The Brilliant Original

For this ritual, you’ll need a few simple items. First, you’ll need something you can use as an altar. Second, you’ll need at least one white or black candle, 3 if possible. Though, if you’re going to use 3, I’d suggest either two black candles and one white, with the white candle place between the two black ones, or two white candles with a single black one between them. Thirdly, you’ll need a cup or bowl of water on the altar so all four elements are present (I use my Phantom shot-glass or one of my Phantom mugs or wine-glasses). Finally, you’ll need your phone, MP3-player, etc, set up to play a Phantom soundtrack (I would recommend the original London cast recording), and an object that symbolizes the Brilliant Original for you that you can place on the altar. For example, this might be an old audio-cassette or CD version of the soundtrack, or an original London or Broadway souvenir program, or a copy of George Perry’s The Complete Phantom Of The Opera, or any souvenir you got when attending a production of the Brilliant Original. Oh, you’ll also need something you can use as a wand and/or an athame. I find Phantom pens make great wands by the way! A Phantom letter-opener might work well as an athame if you happen to have one. Place the object symbolizing the Brilliant Original centrally on the altar as in a place of honour.

Note: you may also want to have an object symbolizing protection (see the Work of the Ritual section further on).

Opening

To begin, draw your circle in the air with your wand or athame, starting in the North.

“North – Earth – the Lair Underground and the Labyrinth that leads to it the night.”

(Turn to the East.)

“East – dawn, air – the breath that carries the song, the wind through the organ-pipes – the song of brass and wind instruments.”

(Turn to the South.)

“South – fire – the sun shining down on the city, the candles on the Lake – the passion of the music.”

(Turn to the West.)

“West – water – tears – the Lake underground that leads to the Lair.”

(Turn back to the North to close the circle.)

“All good, wise and well Spirits and ancestors of the elements and the four directions, I humbly call on you to aid me in this work.”

Now, face your altar and light the candle/s on it. (Note, it’s perfectly OK to use LED candles if you don’t feel safe using real ones, although you may only be able to get white candles in that case. Or, you can simply mime lighting real candles, but visualize the flames being lit and burning as you do so.)

“Centre – Holy Spirit, Source,…” (add any other names that feel appropriate.)

“Phantom Of The Opera,…” (Any other spirits/Deities you wish to call on)

“I welcome you all, and I humbly call on you to aid me in this work.”

Work Of The Ritual

“First of all, I give great thanks for the gift of the Brilliant Original ALW stage-musical of The Phantom Of The Opera. I give great thanks for the great blessing it has been to me and to the world.” (Perhaps here name the ways it has been a blessing to you specifically.)

Now, As you say the following, first touch the item symbolizing the Brilliant Original. Then, draw a circle of protection around it in the air or on your altar with your want or athame. And/Or, picture The Majestic Theatre in your mind, and visualize a circle or dome of protection around it. It can be a circle/dome of light, or a web of protective thorns, or something like the Phantom’s portcullis, whatever imagery works most powerfully for you.

“And now, I call on you all to ask for protection for the spirit and message of the Brilliant Original ALW stage-musical of The Phantom Of The Opera, which are at the heart of the show’s power. Guard them from ignorance and greed, and from the whims of those who would innovate merely for the sake of innovation, And let the damage that has already been done by those forces be repaired. Let Phantom hold strong, spirit and voice, human and mystery in one combined. Let it continue to ring out as a beacon of hope and a call to compassion and passion. And once again, guard the spirit and message of the brilliant original, and let the damage already sustained be healed.”

Now, pick up the item which symbolizes the Brilliant Original and hold it in your hands. And with it in hand, while holding your mental image of protection around The Brilliant Original and/or the Broadway production, play the song/scene from Phantom that to you most embodies or manifests the show’s power and message. Let the energy of that song/scene pour into your mental image of protection. Note, use headphones if necessary so you don’t have to keep the volume down.

Note: if visualizing isn’t something that works for you, you might prefer to have an object that symbolizes protection – like a (miniature/toy) sword, or a thorn, or a rose with thorns, etc. Then, instead of visualizing, you can pass the protective object over your Phantom Brilliant Original item as you say the above words and listen to your chosen song/scene.

“In the name of The Phantom, (any other Deities you’ve invoked), and in the name of Creator, Redeemer and Holy Spirit, so mote it be, so mote it be, so mote it be!”

Closing

“And now, I thank you all (name all Deities and spirits invoked, including those of the elements – see opening), very greatly for your aid in this work. Go as you must, stay as you wish.”

Now, trace the circle in the air again, but this time going the reverse way – North to West to South To East, and back to North. This opens the circle.

“The circle is open, but always unbroken. Merry meet, merry part, and merry meet again! And blessed be.” (You can add “Amen” as well as suits you.)

Notes:

1, re calling on Deities in addition to The Phantom. As a ChristoPagan myself (some one who practices a syncretism of Paganism and Christian elements), I often call on Jesus, Blessed Mother Mary, Mary Magdalen and/or other appropriate Saints in addition to The Phantom. Dionysus might be appropriate here, as the festivals from which much of Western theatre grew were held in his honour, and he’s considered by some the patron God of theatre. Apollo might be appropriate as well, as he’s the patron Deity of music. Similarly, Brigid, the Celtic Goddess of poetry and music might be invoked here. But it really depends on whom – which Deities – you’ve cultivated relationships with. From Christian traditions, you might call on Saint Cecelia (the patron Saint of music), Saint Genesius (patron saint of actors and other performers), and perhaps also Saint Vitus (patron saint of dancers).

2, re song/scene from the show that most embodies the power and message of the Brilliant Original. For me, as I explain throughout my work, this has always been Act I scene 4, the title song – The Phantom Of The Opera. Although, more recently, Act I scene 5, The Music Of The Night as well. To me, these songs and scenes embody the romantic, erotic, political and spiritual heart of the show, even more than the Final Lair (Act II scene 9) as important and powerful as it is. Because, to me, Act I scenes 4 and 5, the title song and Music Of The Night, embody the show’s vision of a transformed world and society where the Phantom and those like him are desired and valued in all their complexity and magnificence.

3. An athame is a magical knife – not sharp – used to direct energies and/or sever energetic/psychic connections.

4. The candles I use are one black and two silver-coloured. And yes, I do only light them symbolicly so far, as I’m not quite brave enough, yet, to actually light them without a sighted spotter around. Although, I hope to get to that point eventually!

5. If at all possible, this working should be done at night, or at least in very low light. Because, Phantom is about “the power of the Music of the Night”, and you want that energy as part of the working.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Like Loading...

Phanship on the #Trans Spectrum. #TransDayofRemembrance #gender #PhantomoftheOpera

21 Wednesday Nov 2018

Posted by Sarah Erik in Phantom

≈ 1 Comment

Tags

"Coming Out", "Phantom of the Opera", "Trans Day of Remembrance", gender, Phanship, Trans

So I’m going to do a podcast episode on this at some point. But because today is Trans Day of Remembrance, I wanted to take some space to talk about my own gender journey. Because, although today is about remembrance, it’s also about breaking silence! And I suspect that I’m often read as a cis ally because I can (sometimes) pass for cis female. So I want to add my voice to those of other Trans-spectrum folks today speaking to and for our realities and existence! Because silence, stereotyping and erasure are part of what cause us to need a Trans Day of Remembrance. They’re part of what create the conditions that enable so much violence against Trans people, including poverty and hyper-precarity. And I’m one of those folks with the privilege of it being relatively safe to be out – which is definitely not the case for way too many people. So I sort of feel like I have a responsibility to do so! That great slogan from the AIDS crisis: “silence = violence”.

Part of the reason it’s taken so long for me to be out, though, is erasure. For the longest time, I literally didn’t have words for my experience of gender. And finding them has been a long (and I suspect on-going) struggle! This is partly because, growing up in the 80s and 90s, for most of my formative years, I had no idea there were options other than girl, which I was assigned at birth but increasingly didn’t fit in the traditional definition of, and boy which didn’t fit either! And then, even when I started to learn about Transgender, I didn’t know any Trans people personally, so what I knew came from media. And that gave me a very rigid, narrow picture of what Trans was – a straight-forward transition from your assigned gender to your felt gender, based on feeling that you were “born into the wrong body”. The only other models I had were androgyny/gender-blending. Basically, all the gender narratives I knew told me you had to choose girl, boy or neither. It took me a long time to find models of, and words for, moving back and forth between two genders. I’d heard of gender-fluidity, but, the way it had always been presented to me, it sounded like blending genders rather than moving back and forth between them. Indeed, it wasn’t till I heard a certain episode of the awesome Off The Cuffs podcast that I realized gender-fluid could mean that, and had an example of some one living it. And I was like “You can do that? It’s a legit thing? Really? Oh Wow!”.

And this lack of language, unfortunately, caused Phantom and my Phanship to inadvertently become part of this erasure of my gender. Though, I hate to say that! But it’s true. Because, of course, the story of Phantom is very much told in a cis, gender-binaried, hetero-romantic idiom. The masculine Phantom loves the super-femme Christine. So, as I’ve talked about in a previous post, without language to articulate an alternative, that set up a feeling that I had to choose. It’s only recently dawned on me that being/doing both, and/or moving back and forth between the two is actually an option. And in truth, I’m still figuring out how the hell that works, especially in terms of the love-story! Straight? Queer? Femme for femme? Masc for femme? POli so I can access both sides of the love-story? Yeah, I’m still confused on that score.

But of course, as a Phan, naturally I want to express my gender/s through Phantom! Because, just as Phantom has profoundly shaped and informed my Disabled identity, so too has it profoundly shaped my sense of gender – both desire and presentation. The first model of masculinity that really powerfully impacted me was the Phantom, especially of the ALW stage-musical, and especially as portrayed by Colm Wilkinson! And I learned how to do Femme from Sarah Brightman’s Christine, especially during Angel of Music and the Title Song as I perceived them! But to figure out how to do both, or to move between them, meant Queering the story in ways I’m only beginning to have the tools to do. In particular, the challenge, for me at least, is to Queer the story so that it becomes fully accessible to folks like me without sacrificing the romance – the “story of deep, dark, dangerous, passionate love” to quote a documentary on the Toronto production – that’s so central to Phantom, and is so much a part of what resonates so powerfully with us Phans!

And this latter work is critically important, because Phantom is a story about the terrible mental and spiritual consequences of exclusion and marginalization. But it also, as I’ve argued elsewhere, contains a powerful call to action to end that marginalization and exclusion, and to heal the trauma caused by it. So it seems to me that it’s critically important that we Phans not allow Phantom itself to contribute to the silencing and erasure of people on account of their colour and/or their lack of conformity to the gender binary! I’m heartened, though, that I’m starting to see this be done. In particular, I’ve finally started to come across well-written Phanfics that explicitly seek to “gender-bend” the story, and others that less explicitly take up other areas of intersectionality. But there’s a lot more need and room for further creative Queering!!

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Like Loading...

Recent Posts

  • A Protection Ritual For Phantom!
  • Rejecting The Spiritualization of Scarcity!
  • Rebooting Everything, Slowly.
  • Miscellaneous Updates.
  • “I’m not into trans”

Recent Comments

Sarah Erik's avatarSarah Erik on A Protection Ritual For P…
Steve's avatarSteve on A Protection Ritual For P…
Sarah Erik's avatarSarah Erik on A Protection Ritual For P…
Steve K's avatarSteve K on A Protection Ritual For P…
John Gardham's avatarJohn Gardham on Phanship on the #Trans Spectru…

Archives

  • January 2023
  • November 2022
  • October 2022
  • March 2022
  • March 2019
  • November 2018
  • June 2018
  • April 2018
  • March 2018
  • November 2017
  • September 2017
  • June 2017
  • May 2017
  • December 2016
  • November 2016
  • August 2016
  • July 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016

Categories

  • Art
  • disability
  • Phantom
  • politics
  • spirituality
  • Uncategorized

Meta

  • Create account
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Recent Posts

  • A Protection Ritual For Phantom!
  • Rejecting The Spiritualization of Scarcity!
  • Rebooting Everything, Slowly.
  • Miscellaneous Updates.
  • “I’m not into trans”

Recent Comments

Sarah Erik's avatarSarah Erik on A Protection Ritual For P…
Steve's avatarSteve on A Protection Ritual For P…
Sarah Erik's avatarSarah Erik on A Protection Ritual For P…
Steve K's avatarSteve K on A Protection Ritual For P…
John Gardham's avatarJohn Gardham on Phanship on the #Trans Spectru…

Archives

  • January 2023
  • November 2022
  • October 2022
  • March 2022
  • March 2019
  • November 2018
  • June 2018
  • April 2018
  • March 2018
  • November 2017
  • September 2017
  • June 2017
  • May 2017
  • December 2016
  • November 2016
  • August 2016
  • July 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016

Categories

  • Art
  • disability
  • Phantom
  • politics
  • spirituality
  • Uncategorized

Meta

  • Create account
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • the Phan Mage
    • Join 33 other subscribers
    • Already have a WordPress.com account? Log in now.
    • the Phan Mage
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
%d